Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Sign In to gain access to subscriptions and/or personal tools.
Discourse & Society
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via HighWire
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Rojo, L. M.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

Division and Rejection: From the Personification of the Gulf Conflict to the Demonization of Saddam Hussein

Luisa Martín Rojo

UNIVERSIDAD AUTÓNOMA DE MADRID

This paper analyses the process of exclusion of Saddam Hussein, in a Spanish newspaper, El País, in the period just before the Gulf War. This exclusion procedure is articulated on two axes: division and rejection (Foucault, 1964). `Division' means establishing an inclusive us and an exclusive them, in this case, him. This move therefore entails a personification of the conflict, which produces immediate feelings of identification or rejection, and simplifies how the war is understood. Both effects are reinforced by the second move of the exclusion procedure: `rejection'. Once the two camps are established an imaginary dimension, related to the ideology of consensus and ethnic prejudices, is evoked in order to create an image of Saddam Hussein in which he plays the stranger, the irrational being, the madman, the beast and, ultimately, the personification of evil. These are the villain's attributes in the fairy tale of the just war (Lakoff, 1992), which is the script of the event activated by the newspaper for the conceptualization of the conflict and its protagonists. On the other hand, a positive image is created for a unique and ideological us, in which, as readers, we are included and absorbed.

Key Words: demonization • discourse strategies • division and rejection moves • ethnic prejudices • exclusion procedures • ideology of consensus • imaginary dimension • linguistic and argumentative resources • madness • personification

Discourse & Society, Vol. 6, No. 1, 49-80 (1995)
DOI: 10.1177/0957926595006001004


Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?


This article has been cited by other articles:


Home page
Discourse SocietyHome page
M. Achugar
The Events and Actors of 11 September 2001 As Seen from Uruguay: Analysis of Daily Newspaper Editorials
Discourse Society, May 1, 2004; 15(2-3): 291 - 320.
[Abstract] [PDF]


Home page
Discourse SocietyHome page
A. G. STAMOU
The Representation of Non-Protesters in a Student and Teacher Protest: A Critical Discourse Analysis of News Reporting in a Greek Newspaper
Discourse Society, September 1, 2001; 12(5): 653 - 680.
[Abstract] [PDF]


Home page
Discourse SocietyHome page
P. THETELA
Critique Discourses and Ideology in Newspaper Reports: A Discourse Analysis of the South African Press Reports on the 1998 SADC's Military Intervention in Lesotho
Discourse Society, May 1, 2001; 12(3): 347 - 370.
[Abstract] [PDF]